Works
This list is in chronological order. For selected highlights, click here.
STARPERMEABLE
studio album
32' (2020)
Lupines will Abound
Music for a film by Cody Edison
17' (2020)
Daily Bread
remote recording project
(2020)
at (there there)
recording
(2020)
, ,, , glimpse ,, , , rain , ,
rain/noise , viola/tone
(2020)
presence (dedication to the object)
photo score
(2020)
More info soon
A Name (friends)
text scores
(2020-)
for wild wasting
for installation of speakers, headphones, home audio electronics
(2020)
the direction of a tree
for open instrumentation, electronic playback, and home audio electronics
20' (2019)
Leaves for a Mouth
for open instrumentation, electronic playback, and home audio electronics
20' (2019)
To the dust of the well. or
(confiding a shadow)
for musicians, performer, electronic playback through drum-mounted transducers
10' (2019)
bassoon, percussion, guitar
with Cody Putman and Nathan Corder
18' (2019)
for 2 pianos, 2 percussionists, and electronic playback
11' (2019)
If You're Going to Dance Don't Hide Your Face
acoustic guitars, feedback, bells, other objects
with Daniel Meyer
18' (2019)
+
acoustic guitar and objects
(2018)
a thread the shore.
they are not only ruins.
for string quartet
12' (2018)
Wrecked, solitary, here -
the dream mule. the broken shells.
20’ for upright piano, objects, electronics (2018)
20' (2018)
other windows. ugly shells.
9’ for piano trio (2018)
Premiered by the Neave Trio at Pickman Hall in Cambridge, Massachusetts, June 2018.
from the shells of my hands.
4’ for piano and saxophone (2018)
Premiered by Tilted Arc at Arts Letters & Numbers residency in Albany, New York, in March 2018.
the dunes a thread. or
muteness. dreams.
9’ for clarinet, viola, trombone (2017)
Premiered by the resident ensemble of the KCW residency in Austin, Texas, in January 2018.
the stone blossoms.
7’ for piano, voice, violin (2017)
Premiered by Lucy Dhegrae and Nathaniel LaNasa at the Church of the Intercession in New York, NY, in May 2017.
“ich habe keine Zeit gehabt zuende zu schreiben"
3’ for voice and piano with text by Selma Meerbaum (2016)
oak. tone.
9' for baritone and piano (2016)
untitled. still.
6' for clarinet, viola, cello, harp, marimba (2015)
multitude noteless
11' for full orchestra (2015)